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20/08/2008

Wide and loud


In these green days (by-the-way ... notice no-one is advertising how green they are amongst their TV adverts anymore?) - when perhaps the most UN-GREEN item you could think of is, say, an EXHAUST PIPE - yes?

Isn't it odd at these are exactly the same days that see us surrounded by the latest fad of fantastically wide exhaust pipes. As if these items shout "Look how powerful I am, look just HOW MUCH exhaust I need to expel"

The other thing these odd fashion items add to is, of course, noise pollution.

16/01/2008

Why W-I-D-E

I decided to replace my computer monitor recently, going for a flat screen 19".
It wasn't easy trying to find one that WASN'T a wide-screen version, all manner of salespeople - staring at me AGHAST with horror - is this man completely MAD?

You see, the 4:3 ratio (the "old" ratio - if you must) is perfectly suited to viewing ...... well, a PICTURE. There is no reason on God's earth to want to view things as if you're knelt in front of a letter box! Wide-screen might be cool in a cinema, necessary even, given that cinemas tend to be larger than living rooms - quite nice for looking at a Tibetan snow-strewn panorama ..... but for Eastenders? (whatever that is?).

NO, no no no. It's fashion again. Be honest now, is the picture better? Nicer somehow? Easier on the eye? No. It's worse. It's S-T-R-E-T-C-H-E-D, and the bigger the screen, the more ridiculous in today's modern home lounges.

What a shame - to phase out the perfect viewing ratio in the name of fashion, and to have (increasingly) everyday programs now shown in a format that distorts the picture.

These angry posts

You know, I've just read down this little lot - they're REALLY angry aren't they?

I can only apologise, it's ridiculous really - I think I was angry about .... oooooooh forty-thousand other things and took it out on the keyboard.

However, I stand by EVERY topic - all are valid, and many are topics taken-up some months later by a newspaper or radio discussion.

Funny, not angry at all - that.

01/01/2008

TV & Radio Ad's - cannot bring themselves to say the word "POUNDS"

I've made a resolution. NEVER, EVER to buy anything from a retailer whose advert describes a price as "two-nine-nine" (instead of Two Hundred and ninety-nine POUNDS).

Invariably it appears to be same people who offer FANTASTIC OFFERS, like (this was COMET - in Jan 08) a product for £120 less than it was pre-sale (now 139, was 259).

Just how much blasted profit were they making pre-sale if they can AFFORD to reduce that profit by £120?

Unbelievable.

24/08/2007

Red Elastic Bands

I wonder how much the Post Office spends on red Elastic bands per year?

Patio Heaters

It's warm inside isn't it?
Outside - it's also warm, until the sun goes down, or in Autumn and Winter months.
If it's cool or cold outside, logic dictates we don a jumper or coat.

That should, in all honesty be the end of the story ... if we seek to alter the natural order of things ... to fight with nature and the elements, (other than, merely building shelter) then we are plainly at odds with everything right, normal, natural and yes, perhaps ethical and moral too.

It seems to me that to use a machine to warm ..... (wait for it ....) THE OUTSIDE AIR then we have completely and utterly lost all sense of normality.

I don't care if you can afford Patio heaters around your decking (why have you Decking? Don't you like gardens?) ... SOME THINGS ARE MORE IMPORTANT THAN PERSONAL CHOICE. Patio heaters use FUEL to WARM OUTSIDE AIR (in case you didn't realise?)
Patio heaters release emissions into the atmosphere (in case you didn't realise?) - why do the damn things exist at all?

Patio heaters are a fashion, a dreadful waste.
Patio heaters are an astonishingly direct, and beautifully clear manner of displaying just how stupid, fashion-led, transient, thoughtless and shallow so many people have become.

17/10/2006

1976 - part 2 (Machines, machines ...)

"... On those nights the air tantalises
with its nameless promises ..."


To:
Nigel, Paul, Les, Kym, Dave B, Dave S, Jackie, Michelle, Maria (Misty), Penny, Helen

The larger machines brought with them increased stability, far superior braking (trying to brake a light-weight at speed you lost traction too soon, the heavier machines added some decent down-forces to the equation - far more bikers were killed on fast 250's than anything else in the 70's and early 80’s) but much more importantly - you didn't NEED to ride so fast on a machine that was OBVIOUSLY very fast. I guess it's a man thing.

Footpegs on these brutes were shaved down the edges by friction with the tarmac - heeling over at night, exposing acres of exhaust plumbing - the footpegs are the first items to ground-out, sending showers of sparks across the carriageway.

On those nights the air tantalises with its nameless promises, and the nearness of the Purbecks, and unlit highways beckon – the round-harbour run is about as much as you need for a minor home-time diversion between, say, the town centre and, er… Moordown. Believe me, these machines were time machines – something you’d never consider in four wheels– through mileage or time, becomes nothing – absolutely nothing, to a time-machine, a mere 20 minutes added to your journey.

So how do you stay alive on a vehicle capable of shifting from standstill to 80mph in less than four seconds? To be in your mid-to-late twenties aboard something that out-accelerates a Ferrari, with precious little protection and even less experience? Unless you’re blessed with unbelievable luck, you will almost certainly die.



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This is for highly illegal antics, not for pottering along in the traffic, or the occasional blind ‘though the middle’ stuff we all witness daily; this was the searing, weaving, screamingly accelerated time-shift biking that has all but left our roads today through cameras – but more, sheer volume of vehicles on our roads.

You evolve a multi-split focus, encompassing literally scores of constantly shifting variables:

(1) Foreground/split: Road-surface, engine noise, gear, tyre condition.
(2) Mid-ground: to say, 800m, immediate traffic (including intensely specific vehicle situation four-to-five cars ahead – if a vehicle so much as twitches a millimetre – four cars ahead – you’re alert), side-roads, pedestrians, surface condition changes, manhole covers, police.
(3) 800m to infinity – brake lights half a mile away (at these speeds you’ll BE THERE in a few seconds), bends, patterns of spacing (vehicles) proximity of side-road entrances, locality, police possibility (parked patrols), fast cars that might take-up the chase, weather. And, of course – alongside all this – the FEEL of your mount - its merest glimmer of oddity transmitting itself back to you as a full-scale emergency.

My God, you even get to recognise driving patterns from the time of day (evenings, older or customised vehicles – younger drivers = alcohol), day of the week (weekend drivers don’t possess the ‘flow experience’ of business day traffic and panic more quickly), locality (is this location known? Do the inhabitants expect traffic at this speed? Where are the local dangers?), type and age of vehicle (this always signifies the probable mindset of the driver), age/sex of driver (the females can be more aggressive – yet less skilled at keeping to lanes, judging braking distances) the males will ‘have a go’ but give-up sooner.
Road markings and signs don’t count (you can’t afford to see them at this speed) – it’s the curves and cambers that affect you, and TIMING. Those lights coming-up toward you (you’re on their side of the road), and THAT GAP 600 metres-up – calculations rip through your subconscious, as the wind tears at your visor, a ceaseless symphony of rising and falling notes against the tinted perspex.

The machine answers, four carbs suck in gaping lungfuls of air to mix with your fuel and four tailpipes howl in complaint, tyres scuffing in momentary blindness though a hasty shift-down or chain-lag causing a transitory rev-drift at a hasty shift-up. Sheer brutal pressure, as real as a dozen hands pummelling your chest as the beast accelerates through its own power-band, the scenery blurring, the wind now purely that of your own head-stream – you’ve entered the realms of time-shifter, everything a fraction lighter, now is mere light, shape and effortless motion. A gentle lean left – and a mile of tarmac vanishes – a lean right – and you’re starting to brake for the next village, half-a-mile,17 seconds of blurred light away, swinging with an almost audible THUMP back into focus as the machine lands back into real friction, real wind, the real world.